Big Hollywood Articles - Breitbart. Rock star and possible Michigan candidate for U. S. Senate, Kid Rock, rocked the Iowa State Fair last weekend with a mostly politics- free performance that wowed his audience. But as the show neared its end, the singer couldn’t resist telling former San Francisco 4. Colin Kaepernick to f- off over his anti- American national anthem protests. Warner Todd Huston. Aug 2. 01. 7, 2: 5. RKO Pictures - Wikipedia. RKO Pictures Inc., also known as RKO Radio Pictures and in its later years RKO Teleradio Pictures, was an American film production and distribution company. News archive. Home > 2017 > May Thursday Jennifer Garner looks chic in pinstripe dress as she heads to The Late Show to see her old friend Stephen Colbert. Human Target is a show by WBTV, DC Comics and McG's Wonderland and based on the DC Comics title. Christopher Chance is the mysterious security-for-hire protecting his. It was one of the Big Fivestudios of Hollywood's Golden Age. The business was formed after the Keith- Albee- Orpheum (KAO) vaudeville theatre circuit and Joseph P. Kennedy's Film Booking Offices of America (FBO) studio were brought together under the control of the Radio Corporation of America (RCA) in October 1. Hi everyone and welcome to the Old Time Radio UK Section of the website. We hope you enjoy trawling through the 200,000 radio shows we have and more importantly enjoy. Art Bears: The Art Box. On Recommended Records. This superb boxset contains all 3 official albums (remastered by Bob Drake) + 2 CDs of Art Bears revisited by. La storia del libro segue una serie di innovazioni tecnologiche che hanno migliorato la qualità di conservazione del testo e l'accesso alle informazioni, la. Big Hollywood covers – and uncovers -- the glitz and glamour of the Hollywood left with reviews, interviews, and inside scoops about your favorite entertainment. Debacle at Charlottesville Brings Democratic Party Full Circle With Its Failure. By CONRAD BLACK, Special to the Sun August 17, 2017. Almost everything about the. Darba diena tuvoj. Visus darbus biju apdar By the mid- 1. 94. Floyd Odlum. RKO has long been celebrated for its series of musicals starring Fred Astaire and Ginger Rogers in the mid- to- late 1. Actors Katharine Hepburn and, later, Robert Mitchum had their first major successes at the studio. Cary Grant was a mainstay for years. The work of producer Val Lewton's low- budget horror unit and RKO's many ventures into the field now known as film noir have been acclaimed, largely after the fact, by film critics and historians. The studio produced two of the most famous films in motion picture history: King Kong, Citizen Kane and the beloved . Blewett's Daughter in Anne of Green Gables. Human Target : La Cible ou La Cible au Québec (Human Target) est une série télévisée américano-canadienne en 25 épisodes de 42 minutes créée par Jonathan E. Watch Human Target - Season 2, Episode 13 - Marshall Pucci: The mysterious woman implicated in the death of Marshall Pucci comes to the team for protection, and the. Maverick industrialist Howard Hughes took over RKO in 1. After years of turmoil and decline under his control, Hughes sold the troubled studio to General Tire and Rubber Company in 1. The original RKO Pictures ceased production in 1. In 1. 98. 1, broadcaster RKO General, the corporate heir, revived it as a production subsidiary, RKO Pictures Inc. In 1. 98. 9, this business with its few remaining assets, the trademarks and remake rights to many classic RKO films, was sold to new owners, who now operate the small independent company RKO Pictures LLC. Origin of company. Its success prompted Hollywood to convert from silent to sound film production en masse. The Radio Corporation of America (RCA) controlled an advanced optical sound- on- film system, RCA Photophone, recently developed by General Electric. However, its hopes of joining in the anticipated boom in sound movies faced a major hurdle: Warner Bros. The industry's two largest major studios, Paramount and Loew's/MGM, with two other studios Universal and First National, were poised to contract with ERPI for sound conversion as well. Kennedy about using the system for Kennedy's modest- sized studio, Film Booking Offices of America (FBO). Negotiations resulted in General Electric acquiring a substantial interest in FBO—Sarnoff had apparently already conceived of a plan for the company to attain a central position in the film industry, maximizing Photophone revenue. Next on the agenda was securing a string of exhibition venues like those the leading Hollywood production companies owned. Kennedy began investigating the possibility of such a purchase. Around that time, the large Keith- Albee- Orpheum (KAO) circuit of theaters, built around the then- fading medium of live vaudeville, was attempting a transition to the movie business. In mid- 1. 92. 7, the filmmaking operations of Path. De Mille's Producers Distributing Corporation (PDC) had united under KAO's control. Early in 1. 92. 8, KAO general manager John J. Murdock, who had assumed the presidency of Path. This was the relationship Sarnoff and Kennedy sought. On October 2. 3, 1. RCA announced the creation of the Radio- Keith- Orpheum holding company, with Sarnoff as chairman of the board. Kennedy, who withdrew from his executive positions in the merged companies, kept Path. Schnitzer, was incorporated early in 1. Radio Pictures. The new company's two initial releases were musicals: The melodramatic Syncopation premiered on March 2. This was billed as RKO's first . RKO spent heavily on the lavish Rio Rita, including a number of Technicolor sequences. Opening in September to rave reviews, it was named one of the ten best pictures of the year by Film Daily. Promoted as the studio's most extravagant production to date, it was to be photographed entirely in Technicolor. From a total of more than sixty Hollywood musicals in 1. Complicating matters, audiences had come to associate color with the momentarily out- of- favor musical genre due to a glut of such productions from the major Hollywood studios. Fulfilling its obligations, RKO produced two all- Technicolor pictures, The Runaround and Fanny Foley Herself (both 1. Neither was a success. In October 1. 93. New York's Van Beuren studio, which specialized in cartoons and live shorts. Cimarron (1. 93. 1), produced by Le. Baron himself, would become the only RKO production to win the Academy Award for Best Picture; nonetheless, having cost a profligate $1. Richard Dix, Oscar- nominated for his lead performance in Cimarron, would serve as RKO's standby B- movie star until the early 1. Selznick visited Sarnoff in New York and convinced him to replace Le. Baron as production chief. Cooper, and gave producer Pandro S. Berman, aged twenty- six, increasingly important projects. Also enlisted was established star John Barrymore for a few memorable performances, when also used by Paramount used as Dr. Jekyll and Mr. Hyde (1. Warner Bros. In 1. Selznick, forty- one features were made for only $1. Billed fourth and fifth respectively, the picture turned them into stars. As film historian James Harvey describes, compared to their richer competition, the two studios were . It was at these two lesser 'majors'.. Seiter directed the studio's first significant contribution to the genre, The Richest Girl in the World (1. It never had a stable of important actors, writers, or directors, but .. As a result, its most distinctive pictures contained a strong element of fantasy—not so much the fantasy of horror, which during the thirties was the province of Universal, but the fantasy of the marvelous and adventurous. The movie was coproduced with Pioneer Pictures, founded by Cooper—who departed RKO after two years helming production—and John Hay . From the studio's earliest days through late 1. Max Steiner, regarded by many historians as the most influential composer of the early years of sound cinema, made music for over 1. RKO films. Barbara Stanwyck joined the studio's roster—though Stanwyck would have little success during her few years there while Ann Sothern enjoyed a career boost. Between 1. 93. 5 and 1. Miss Sothern was paired five time with Gene Raymond out of her seven RKO films. Cary Grant regularly appeared in RKO films for some years, but was one of the first leading men of the sound era to work extensively as a freelancer, under nonexclusive studio deals. Briskin, in late 1. RKO entered into an important distribution deal with animator Walt Disney (Van Beuren consequently folded its cartoon operations). In February 1. 93. Selznick, now an independent producer, leased RKO's Culver City studio and Forty Acres backlot. In addition to its central Hollywood studio, RKO productions now revolved around its vast Encino movie ranch. Modern sources state that Briskin's departure in late 1. RKO's product, although admitting that the Disney association was beneficial. As it turned out, he would leave the job before the decade's turn, but his brief tenure resulted in some of the most notable films in studio history, including Gunga Din, with Grant and Mc. Laglen; Love Affair, starring Dunne and Charles Boyer; and The Hunchback of Notre Dame (all 1. The Saint in New York (1. B detective series featuring the character Simon Templar that would run through 1. RKO filled the void by releasing independently produced features such as the Dr. Christian series and the Laurel and Hardy comedy The Flying Deuces (1. Schaefer, handpicked the previous year by the Rockefellers and backed by Sarnoff. Breen—nominally filled the role. The first two Goldwyn pictures released by the studio were highly successful: The Little Foxes, directed by William Wyler and starring Bette Davis, garnered four Oscar nominations. However, Schaefer agreed to terms so favorable to Goldwyn that it was next to impossible for the studio to make money off his films. Selznick loaned out his leading contracted director for two RKO pictures in 1. Alfred Hitchcock's Mr. Smith was a modest success and Suspicion a more substantial one, with an Oscar- winning turn by Joan Fontaine. While it opened to strong reviews and would go on to be hailed as one of the greatest movies ever made, it lost money at the time and brought down the wrath of the Hearst newspaper chain on RKO. Rogers, after winning an Oscar in 1. Kitty Foyle, held out for a freelance contract like Grant's; after 1. RKO production, thirteen years later. Propelled by the box- office boom of World War II and guided by new management, RKO would make a strong comeback over the next half- decade. Charles Koerner, former head of the RKO theater chain and allied with Odlum, had assumed the title of production chief some time prior to Schaefer's departure. He announced a new corporate motto, . RKO became the first major studio to produce for television with Talk Fast, Mister, a one- hour drama filmed at RKO- Path. In collaboration with Mexican businessman Emilio Azc. However, the studio's only remaining major stars under anything like extended contracts were Grant, whose services were shared with Columbia Pictures, and O'Hara, shared with Twentieth Century- Fox. Thus RKO pictures of the mid- and late forties offered Bing Crosby, Henry Fonda, and others who were out of the studio's price range for extended contracts. Mary's (1. 94. 5), the biggest hit of any in- house RKO production during the 1. Shot on a $2. 05,0. Big Five studio productions, it was one of the ten biggest Hollywood hits of the year. Of the thirty- one features released by RKO in 1. In contrast, a clear majority of the features put out by the other top four studios were budgeted at over a half a million dollars. The Lewton unit's moody, atmospheric work—represented by films such as Cat People (1. I Walked with a Zombie (1. The Body Snatcher (1. He bowed out after four Falcon films and was replaced by his brother, Tom Conway. Conway had a nine- film run in the part before the series ended in 1. I'd start by going on about how I've been working at Paizo since November 2. I would have been 2. Dragon Magazine #3. After that would be the scary but exciting times—starting Pathfinder Adventure Path, disguising a game as a textbook, long lines, yada yada. Things got wild after that. But there's not really time for all of that. I've learned a lot in my time at Paizo, but two oft- stated truths have proven out again and again: one, never piss off your editor; two, I work with a bunch of jackals. About this time tomorrow, there's going to be another blog right here. At that time, a bunch of folks who've had to look at me everyday—some for well over a decade—are going to have their opportunity to say their bon voyages. And they're going to thoroughly roast me. I didn't get here being stupid. I've been documenting, hoarding, recording, and preparing for this moment for most of my adult life. And I know that if you're going to get into a blog fight, fire first. To that end, here are the secrets. Adam Daigle: Adam knows the time and place for everything—for getting things done, for getting a drink, for getting your abdomen severed from your thorax, and for not backing up claims that you're a bad- @#% cook. Most folks don't know that Adam is responsible for more issues of Dragon Magazine releasing on time than some people who worked on that magazine's staff. More than once something went down on a Friday and by Monday morning Adam just had it handled. He definitely knows the curse of becoming an editor's go- to guy. I have boundless respect for Adam's unique blend of solid writing and creepy swamp witchery and look forward to his next big thing, be it a mega- adventure, restaurant chain, or the burgeoning fiction career he's no good at hiding! Adam Vick & Emily Crowell: Adam and Emily might be two of the only truly sane souls at Paizo—stark comparisons against the rest of the company's wards. They both do fantastic work, but they're also the second generation of an experiment into how long it takes for normal designers to be infected with RPG gibberish. She wears a ring of mind shielding, but she's quick to say she just likes the look. Early on in our working arrangement I asked that, when the time comes, she make my end quiet and quick. She couldn't make any promises. I respect that. I'd say to watch out for Amanda, but it will be far less stressful to just let the inevitable come. Chris Lambertz: Chris cultivates the best stuffed critter shelf at Paizo. Her miniature army helps her fend off the endless press of tiny typhoons that endlessly wash across her desk. Her hordes also defend dual hidden fonts, one of boundless pragmatism and the other of boundless optimism. She uses these to look forward to better things even as she wrangles the calamity du jour. You might not know Chris, but she believes in you, the great person you are, and the better person you can be. If you ever receive moderation from her, count yourself lucky.. He has several weighty tomes under his belt—go buy them. Whether it's editing a massive mess of a document or working on his next literary behemoth, Chris proves the results of building your house one brick at a time. How such a reliable, determined professional wound up editing our nerd- books has always slightly baffled me, but much of Paizo's editorial quality and consistency stems directly from his red pen. Cosmo Eisele: Cosmo deserves less blame than he accepts.. That's probably just part of being legitimately one of the nicest chaps at Paizo. He's traveling the world much more these days, so if you get the chance to meet up with him, buy him a drink—he gets more sass than he deserves. Crystal Frasier: I don't really believe in talent. There's failure, there's determination, there's improvement, there's even inborn advantage, but there aren't really magical gifts. And I refuse to factor Crystal Frasier into that algebra. You could say she's a double threat, or a triple threat, but then you keep counting and once you get to calling people septuple or octuple threats you start sounding silly. Crystal's a great writer, an incredible artist, a skilled graphic designer, a killer cartographer, an adept editor, a riveting storyteller, a terrifying bare- knuckle scrapper, and so forth. She can pretty much do it all—and largely has. At some point, the rest of us are largely around just because it'd be too time consuming for her to handle absolutely everything by herself. And none of this comports with my understanding of how creatives learn and improve over time. So, the secret is that maybe some people do have magical gifts. That's the only way Crystal Frasier makes any sense. Dan Tharp: Dan's actually a mimic. I would have said doppleganger, but he's largely a communications dude, so something with a big mouth seemed more suiting. Paizo's been around for a long time and many folks have been there forever. I wouldn't call it unfriendly, but the ruts and grooves, the routines and methods are ground in both procedurally and socially. It can be daunting coming in, like attending a new school in a town you didn't grow up in. But somehow Dan sauntered in and convinced everybody he's been there the whole time. He's got an easy confidence, an . A lot of folks have a lot of opinions about what Paizo's Outreach Coordinator should and could do, so we're lucky to have found a shapeshifter up to doing it and being it all! Dean Ludwig, Don Hayes, Erik Keith, & Gary Teter: The legend goes that Paizo. Magnavox Odyssey consoles, and 3. I can't speak much toward legends, but there's often a hint of hidden truth (perhaps not in this case, but often). In any case, the tech team has worked wonders under the cover of code to assure that Paizo can do all the varied things the company needs to do and then some and then some again. Few can say how many countless nights and weekends the team's put in, but I'm certain that without them we'd all be filling out subscription renewal cards to this day. Erik Mona: Here's a good one: You think you know roleplaying games. Erik Mona knows roleplaying games. The history, the characters, the origins, the inspirations, the characters, the players, the pedigrees, the big successes, the dismal failures, the dark secrets. Erik hasn't just stumbled across this info, he's collected it—he's horded it. He knows more than he could ever tell you, and he knows the roots and shadowy grit beneath that. The game industry and everything in its orbit has been his game, his obsession, for a long time. And no one plays a game for that long without getting damn good at it. As a result, though, Erik's path has lead him down a businessmanly road, a route upon that's made him more of a behind- the- scenes player than a name you see on lots of covers these days—with the exception of Pathfinder Worldscape, which is now officially required reading. In my opinion, though, gaming could use a few more Greyhawk Gazetteers and Mutants & Masterminds: Crooks. It could certainly use a Nex book. Probably some old- school trap riddled adventures, too. Just sayin'. Erik's been my boss for a long time. We've worked well together and have pulled off some pretty cool stunts. I could chalk up this long, successful partnership to shared tastes and work ethics, but I know there's a secret, a deceptively simple mantra Erik ingrains in everyone on his crew: Do your job, Be exceptional, Wear shoes. Words to live, to work, and to manage by that have had a profound impact on my life. Over the years, Erik's been a ready collaborator, an open- minded listener, a font of fascinating stories, and a good friend, and even though I won't be working at Paizo next week, I don't expect any of those things to change. James Jacobs: One of my favorite stories about starting at Paizo is that in 2. I moved 3,0. 00 miles from Baltimore, Maryland to Renton, Washington.. For much of my time living in Washington, my front door has been within 2. James's (and often far closer). For more of that time, James's desk has been within 2. James is a fire hose of cool stuff, whether it's these hundred games you have to play or these thousand movies you need to see. It's impossible for that sort of tsunami to not influence an assistant editor in his twenties, which is likely partially why we've worked so well together for so long—whether collaborating on adventures for Dungeon, sculpting the Pathfinder Adventure Path series, building corners of the Pathfinder world, or tinkering with a thousand other projects. James also quickly learned that . As a result, he knows where more of the skeletons are buried than anyone else. That, time, proximity, and shared dementia make him a friend, a brother, and a man too dangerous to antagonize. Therefore, it is in my best interest to keep James's secrets well guarded. James L. Sutter: Despite all evidence to the contrary, Sutter and I are, in fact, two different people. Shocking, but true. The root of the confusion seems to be that we both have brownish hair and wear the same size jeans. We've also collaborated on one or two projects, from ! I coached Sutter through his first adventure, Sutter coached me through my first novel, and we both endlessly tell the other that all his ideas are stupid. But when either of us say that, the other knows it's not just being mean, it's also being honest. We've both had more than our share of missteps on the road to the next big or new or fun thing and we've been upfront with each other about those blunders. When I've mucked something up, I tell Sutter it didn't work. When Sutter mucks something up, he tells me not to do that. We've been climbing over each other's corpses for a long time. Undoubtedly I wouldn't be anywhere near where I am today, or have done half of what I've done, without Sutter's advice, example, edits, and encouragement. But for @#$%'s sake, people, he's got a beard! We don't look anything alike! Jason Bulmahn: Sometimes, after spending a decade gaslighting a man, you have regrets.
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